Thursday, 30 April 2020

The New Vocabulary


Just as the UK announced on 31 January 2020 that Brexit was done, that it was taking back control from Europe and vowing not to align with EU regulations, along comes Covid-19 wresting its own virulent control over people’s lives.

And then what happens? 

The law of unintended consequences returns.  On this occasion it’s the adoption of European linguistic traits by the Queen’s English.  This new vocabulary is the essential tool for politicians and scientists to communicate with the public.

In a way, the continuing immigration of foreign words, grammar and syntax is neither new nor a recent phenomenon.  Going back to 1066 the Norman Conquest and resulting from subsequent sorties to and from the “continent,” French words comprise of over 40% of modern English’s vocabulary.

It’s not just obvious words like menu, savoir faire, cliché and déjà vu but thousands of others too.  These include fruit, comfortable, place, possible, and avenue – to mention but a fraction.  Our Gallic neighbours and former colleagues across the Channel continue to cast their exotic spell. 

Consider everybody’s favourite new verb, unknown prior to March 2020, to self-isolate.  In articulating it, I cannot help but to be reminded of O-level school French classes and reflexive verbs.

In English it’s sufficient to say I sit, he/she sits.   
French people, however, say je m’assieds, il/elle s’assied.  Translated literally, their words mean I/he/she seats myself/his or herself. 
Likewise with I stop, French people say je m’arrête; for I get up they say je me lève, and for we awaken French people say nous nous réveillons.
In the new contemporary English, we aren’t isolating. Instead we are isolating ourselves.  Nous nous isolons.  And for good measure, people everywhere are isolating themselves. 


To deal with the corona virus, however, the UK isn't just importing means of expression that are foreign to the Queen’s English.  It is simultaneously rediscovering some its own Anglo-Saxon words, perhaps an assertion of its new-found independence.  Or so I would have expected.
I had formed the impression, wrongly, that the new word for the term leave of absence had originated either in Shakespeare or Chaucer.  That was until a search revealed that furlough originates a short hop across the North Sea in Dutch back in the 1620’s.[i]

Whatever about etymology of furlough, I have a question. 
What archaeologist is responsible for its excavation?   And why is it not pronounced like rough or enough?  Obviously an irregular phonetic might provide the academic answer to the latter question.  As such, that enables furlough to work at home and shine like a metaphorical beacon for these times of unsettling irregularity. 


Why must the independent U.K. invent neologisms when the current stock of vocabulary already has a subject adequately covered?  
What precisely is social distancing?  Why can’t we use a simple word that everybody knows and loves, like avoid people? 

Surely there must be a better phrase than the horrible mouthful from Westminster that commands citizens to implement social distancing.   Would it not be more easily understood if we just ask friends and family to stay away or in extremis, on a bad day, to get lost?
Belfast people might say something ranging from the abrupt “Scram,” to the lyrical “go away off and give my head peace” – or a plethora of other more prosaic expressions.

But think about it.  The term social distancing, in common with much jargon, is nonsensical. That’s because, like mandatory guidelines, it is an oxymoron.   To express what it purports to mean, it should read the opposite.  Keeping a distance from other people is and always will be inherently anti-social.  Anti-social distancing might be a more accurate expression.

Clarity of language is important, especially in a national and international emergency.  
When Government adopts Orwellian double-speak - where words mean the opposite of what is intended - advocates of the campaign to win public confidence can themselves become confused.   
For "the world’s fifth largest economy," this is inauspicious way to start ploughing its new global furrow.  Examples include a chief advisor who disobeyed her own advice; and a political leader who spoke about shaking hands with virus victims before admission into intensive care.[ii]  


Another point emerges.  We are being told to put distance between ourselves, to avoid contact with people, to isolate at home if not in monasteries or perhaps in caves.  Up until April 2020 such public policy would have been regarded as absurd.   People’s response might have been recalcitrant rather than supportive and responsible.  
That is because Governments have been ordering a largely compliant citizenry to change their natural instincts.
  
We have to abandon traits of gregariousness.  We must stop mingling, withdraw, be alone and enjoy our own company.   
Prior to the spring of 2020, people exhibiting withdrawal symptoms of behaviour might have been referred for psychological testing.  Governments are promoting personal detachment from friends, neighbours and even family.  

Withdrawal from Europe was traumatic for 48% of people in the UK.  
The idea of distancing and self-isolating for the vulnerable and elderly, of being apart from kith and kin is no less comfortable.  
Regardless of growing mistrust in the Government’s handling of the emergency,[iii] the public itself knows that self-protection is the proper instinct to follow.


©Michael McSorley 2020

Postscript:- 
The above is Part 3 of my series about Covid-19.  
Part 1 (24 March 2020) was entitled A Test for Elected Leaders[iv] and 
Part 2 (11 April 2020) was entitled Coping with Contagion, a Survival Strategy.[v]


[i]Online Etymology Dictionary  https://www.etymonline.com/search?q=furlough
[ii] New York Times 27 March 2020 Michelle Cottle “Boris Johnson should have taken his own medicine”   https://www.nytimes.com/2020/03/27/opinion/boris-johnson-coronavirus.html?smid=fb-share&fbclid=IwAR1mE3Sa_G11CntBdVS1SohRmZbjD663sbNx_DSxvZndh1lnVIJ4U5xude4
[iii] Observer 26 April 2020 Toby Helm “Public trust plummets in Britain’s handling of pandemic”  https://www.theguardian.com/world/2020/apr/26/trust-wanes-in-uk-ministers-handling-of-coronavirus-pandemic-poll
[iv] https://michaelcovid19.blogspot.com/2020/03/a-test-for-elected-leaders.html
[v] https://michaelcovid19.blogspot.com/2020/04/coping-with-contagion-survival-strategy.html

Saturday, 11 April 2020

Coping with Contagion - a survival strategy



I need to rationalise my current behaviour – to myself. 
 
Like an extension of self-isolating, I want to self-explain my coping approach.  I have to understand the strategy I’m developing for adjusting to the pandemic.  Like everybody else, my objectives are two-fold, one positive the other negative.   
The former is to stay healthy; the latter is not to burden the NHS.

In sporting parlance, my tactics combine defence and attack, with some midfield interplay to moderate between them and provide entertainment.

Defence

Defending oneself from a highly contagious and deadly virus that has no known curative vaccine means heeding the advice from medical experts.  
When the wise physicians tell us to wash hands regularly, to avoid contact with people and observe mandatory distancing guidelines, to stay at home, and to exit only for exercise, essentials and medical reasons, there is no argument.
 
Attack

In attack, exercise is an important weapon.  
The priority must be to look after the respiratory system since that is the target of Covid-19.   
With all the talk about ventilators, the need to look after the body’s natural ventilation system is apparent. This must mean action to exercise heart and lungs. 

Weather permitting, my preference is to begin the day with vigorous activity outdoors.   
One day, that may mean a brisk walk from home; the next, it may involve a bike ride also from home.  
What works best for me is attacking the hills, climbing while standing up and pumping on the pedals in an appropriate gear.  This raises the heart-rate, thereby training it to self-adjust naturally on return to a lower cadence.  
Whereas the effort can involve some pain, the wonderful after-glow especially on fresh sunny spring days - now that the air has become cleaner - makes it worthwhile.
One walk: Belvoir Forest, Giants Ring and Terraced Garden

Charities have been adversely affected by the lockdown, primarily because of having to cancel fund-raising events many of which are sporting.   
A couple of days into the lockdown, the peace building charity Co-Operation Ireland launched a Spin It Out Challenge.  Emailing clients, it asked us to put a princely £1 in a jar every time we go out for a bike ride this month.  
Funds raised will go to the gallant health services battling on the front lines on both sides of the border.[i]  
An irresistible challenge adds purpose to the exercise.

With gym attendance in abeyance, I am going to yoga classes online.  It acts as a counter-balance to the aggressive walking and cycling sessions.  
The mantra that yogic asanas should be breath-led assumes added significance in this pandemic. 
I have joined my daughter’s very low-cost yoga classes in Renfrewshire Scotland on a couple of weekdays; and occasionally my niece’s free yoga class in Calgary Alberta at the weekend.   
Different styles of yoga and contrasting teaching techniques – miles apart, I’m thinking - add interest and variety to the surreal experience of communing with others far away.
 
Mid-field

The strategist in me aims to flood the midfield with creative players.  Explain.

It jolts normal routine having to adjust to the shutting-down of our favourite local venues.  These include the Queens Film Theatre, the MAC (metropolitan arts centre), the Lyric Theatre, the Ulster Museum, and night classes at Queen’s University’s school of Open Learning.  The public is deprived of live music, drama, further education and art. 
Life’s not fair.

Fear not, however, as the arts across the stricken globe have been finding creative ways to fill the voids.   
Many of the world’s top museums and art galleries as well as our local arts organisations continue to connect with their audiences.  
In a constantly deteriorating situation, captive adults (and children) are more receptive than ever to their delights.  Barred from live shows, the next best thing is to sample the offerings on-line in the comfort of home.

Some of the world’s most famous museums and galleries[ii] are letting us enjoy a virtual visit. The Rijksmuseum in Amsterdam, Museo Frida Kahlo in Mexico, the British Museum in London; not to mention monuments like the Taj Mahal in India, the Great Pyramid at Giza in Egypt, the Colosseum in Rome, Machu Pichu in Peru; and great cultural institutions like the Bolshoi Theatre in Moscow, the Sydney Opera House – these and many more are responding to the emergency.  
At home, I will be visiting the Uffizi Galleries in Florence very soon, doing so with no impact on my carbon footprint and without sore feet.  
The pandemic will need to last a long time to get round even a few of these magnificent attractions.

The Berlin Philharmonic Orchestra is opening its epic archive of filmed concerts.[iii]  
I have watched some of their free Easter Festival presented live from the Orchestra’s concert hall.  
The mid-week programme in Holy Week concentrated on Mahler, including selected footage from the Orchestra’s archived film.  It interspersed these horn-filled Mahlerian epics with live recital from the Berlin stage by one or two musicians. 
The Easter Sunday programme includes music by Prokofiev, Ravel, Bruckner, Mozart and Mussorksky’s Pictures at an Exhibition.  
The phrase goes – what is there not to like.

And our neighbours in Edinburgh, the RSNO (the Royal Scottish National Symphony Orchestra) has broadcast footage, recorded in February 2020, from its Friday Night Club.[iv] Appropriately for Good Friday the aired concert featured Brahms’s German Requiem.   
For further listening, the RSNO online playlist includes Beethoven Eroica symphony no 3 (aired on 27 March) and Saint-Saens organ symphony no 3 (3 April).

Meanwhile in Belfast, the Ulster Orchestra has been releasing a daily film clip of its musicians individually under the banner of Lets Play at Home.[v]   
Every day at 3 pm, the public is being treated to a skilled professional performing solo (accompanied on occasion by a partner or friend).   
The musician plays well-known classical, film, children’s and other music from the privacy of their own homes.  
This is a good example of providing something for everyone – with the added personal touch.  The clips are posted to YouTube.  And all of this provided free while the Orchestra is starved of box office revenue.

Likewise the QFT, Queens Film Theatre, has made available some classic feature films as well as filmed productions of theatrical productions.   
On the weekend of 3 April, for example, I watched the 2019 production by the Lyric Theatre of “Abomination: a DUP Opera” in its entirety.  
The next day, I read a post from the Northern Ireland Arts Council praising the play for winning the recent Irish Times award for best opera production.  
Any slight prior apprehension about the subject matter was soon dismissed by a production which deserved its new accolade for best opera.

Family bonding

Family groups are dealing with the privations in their own creative ways.  
This geographically dispersed family, for example, has held a weekly UK-wide quiz on my favourite new app, Zoom.   
I must admit to never having heard of Zoom until Covid-19 appeared; now, it seems, that its usage has magnified exponentially as families everywhere enjoy conference calls writ large.  

This weekend, to vary the routine, our group of six families will play bingo.

The press is replete with examples of how imaginative people cope with the restrictions of quarantining.  
One of the best that caught my attention is the story of Molly O’Cathain, a 27 year old theatre designer at London’s National Theatre.[vi]  
She became stranded at home in Dublin with her parents Liz and Brian when the lockdown was imposed.  
To cope, she has “conjured a portrait every day,” and not just any old portrait.  
Hers are based on artists like Frida Kahlo, Salvador Dali and Gustave Klimt – “that cast her parents, both 60, as leads in famous paintings.” 
 
Molly O'Cathain's parents as the lovers in Gustav Klimt's The Kiss, complete with Ikea cushions
How brilliant is that?


©Michael McSorley 2020


[i]Cooperation Ireland Spin It Out Challenge  https://www.facebook.com/CooperationIreland/?epa=SEARCH_BOX
[ii] The Irish Times Gemma Tipton Ticket 28 March 2020 “A Masterpiece in your Living Room? Virtual Journeys through Great Art” https://artsandculture.google.com/project/street-view
[iii] Berlin Philharmoniker Digital Concert Hall “Free Our Easter @Philharmonie Festival
[iv] RSNO Friday Night Club on Facebook or at www.rsno.org.uk/friday#
[v] Ulster Orchestra Lets Play at Home.  https://www.ulsterorchestra.org.uk/whats-on/let-s-play-at-home!/
[vi] Observer 5 April 2020 Tim Adams “Dubliners Recreate Masters to Beat the Boredom.”